Hannah Phillips

Education

Equipment

My Equipment/Kit:

I can use:

About me

I am originally from Bristol but graduated from The Liverpool Institute for Performing Arts in 2016 from the Theatre and Performance Technology course. I specialise in Stage Management but have had experience in a wide spectrum of production skills.
Additional skills:
I have experience in Stage Management, Lighting operating and design, Sound Operating and workshop skills. I have been trained in using CAD and Vectorworks. I am able to score read to a high level and have a First Aid at Work Qualification. I also have experience working with puppet and am a holder of a clean British driving licence.
Referees:
Tobi Poster: Co-artistic Director of Wattle & Daub Figure Theatre Company.
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Debbie Thompson: The Theatre Director of The Sheringham Little Theatre.
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Additional information:
Projects Worked on

Stage Manager "The Sheringham Little Theatre Summer Repertory Season"
Assistant Stage Manager "Grand Hotel" The Unicorn Theatre: Director Sally Ann Gritton
Stage Manager: "The Depraved Appetite of Tarrare The Freak" tour: Director Sita Calvert-Ennals
Deputy Stage Manager: "Peter Pan" The Sheringham Little Theatre: Director Nick Earnshaw
Stage Manager: "Fallen Angels" The Sheringham Little Theatre: Director Nick Earnshaw
Deputy Stage Manager: “Three Winters” The Sennheiser Studio, Liverpool Institute for Performing Arts: Director Stephen Buckwald
Deputy Stage Manager: “The Liverpool Passion Plays”, The Liverpool Anglican Cathedral.
Stage Manager: “13” Paul McCartney Auditorium, Liverpool Institute for Performing Arts :Director Adam Penford
Deputy Stage Manager: “The Bacchae” at The Everyman Theatre Liverpool: Director Chris Tomlinson

I have also completed placements at The Bristol Old Vic, The Royal Court Theatre London and The Arcola Theatre London.

I attended Bristol Old Vic for just less then a month in 2015, and was lucky enough to have the Company Stage Manager tailor my time so I learnt from a variety of activities. This included prop sourcing, covering the book in the rehearsal room, helping get ins and get outs, helping construct in the workshop, rigging and programming.

My time at The Royal Court Theatre London was a very prop based placement. I had been called to London to help a very over strained Stage Management department. The production was just about to go into tech week and a lot of the props and set dressing had suddenly been changed. I provided an extra pair of hands who could run around London buying and collecting things while the rest of the Stage Management department had to stay at the theatre during the technical rehearsal. The production was "Who Cares".

I attended the Arcola Theatre for just under a month. This included performing a variety of jobs such as helping with the get ins and get outs of arriving and leaving shows, helping to supervise the tech rehearsals and dress rehearsals of companies using the theatre. I also worked as a step in steward on occasion as well as working as a assistant stage manager on one production. Lastly I also helped with the general everyday running of the theatre. I.e. Fixing lights, maintenance etc..

License & Passport

Skills

Secondary Job Title	Assistant Stage Manager
Job Titles	Production Assistant (PA), Stage Manager, Production Manager, Production Support, Props Master, Prop Maker, Props Buyer, Props Assistant / Support, Set Dresser, Set Builder, Lighting Tech / Operator, Chaperone / Driver, Rigger, Theatre Technician, Automation / Flying
Years in industry	1 to 3 years
Organisations / Memberships	Equity (UK), SMA (UK)
Work Permits	EU